Otto Soglow: From The New Masses to The Little King

Otto Soglow (1900-1975) was a successful comic strip cartoonist. His Little King character first appeared in The New Yorker magazine in 1930 and became a Hearst Sunday strip in 1934. Thereafter, it ran for more than 40 years until Soglow died.

His Wikipedia entry is here, but it's brief. A much more comprehensive survey of his career can be found here.

Soglow received some of his art training from John Sloan who, among other things, was involved in leftist politics, and helped Soglow get some cartoons published in The Liberator. Soglow also contributed work to The New Masses.

Around the same time he was contributing to The New Masses, Soglow began having cartoons published in The New Yorker, a brand-new magazine intended for sophisticates in that city and elsewhere. Also at this time his style was evolving from the Sloan-Masses-Ashcan style to highly simplified Moderne. His Little King retained that style over its 45-year overall existence.

It was an interesting transformation Soglow made -- from socialist content to taking William Randolph Hearst's shilling and drawing a royal cartoon character.

Gallery

A New Masses cartoon from 1926. The caption is "Iss diss a system?"

Poster for a 1932 New Masses ball. Its style is now Moderne, like his Little King cartoons.

A color panel. The Little King was always dressed in red. His personality was such that he didn't take kinship seriously and always did playful things.

His new royal portrait.

More playfulness.

Comments

Post a Comment

Popular posts from this blog

Georges van Zevenberghen, Belgian Inspired by Chardin

Image
As the title of this post mentions, Georges Antoine Van Zevenberghen (1877-1968), was presumably inspired by Chardin's paintings. Well, that's what this nearly-worthless French Wikipedia entry mentions: " Il partit ensuite pour Paris en 1903 où il admira les œuvres du peintre du xviiie siècle Jean Siméon Chardin qui le marquèrent durablement. " It seems that van Zevenberghen spent most of his long life in Belgium, enduring periods of German occupation in both World Wars. His main travels apparently were to Paris. The entry also notes: " En 1933, il devint professeur à l'Académie royale des beaux-arts de Bruxelles, fonction qu'il remplit jusqu'en 1948. " So he was regarded highly enough to become a professor in the Academy. Not many of his paintings can be found on the Internet. They are generally solidly done. There is one that stands out, however, as can be seen below. Gallery La repasseuse - 1907 The earliest of his paintings that I coul
Read more

Tom Purvis' Austin Reed Posters

Image
Tom Purvis (1888-1959) was a leading British poster artist during the 1920s and 1930s, especially after his style evolved into simplified shapes with areas of flat color and no outlining. Purvis' Wikipedia entry is here , but as of the time this post was drafted (late December 2017), it was not very informative. More biographical information can be found here , but you will need to scroll down to find it. Although he worked for a number of clients, he is best known for his railroad posters and those for Austin Reed, a clothier. Both Austin Reed and Purvis were at their peak when the posters shown below were created. Purvis moved on to portrait work and religious painting in the years following World War 2. Austin Reed went bankrupt in 2016 and its remains were acquired by Edinburgh Woolen Mill. As I write this, there are no Austin Reed stores in London. Gallery For most of its existence, Austin Reed's flagship store was located at the lower end of Regent Street, not far fr
Read more

Hugh Goldwin Rivière, Mid-Lever British Portraitist

Image
Hugh Goldwin Riviere (1869–1956) lived a long life and made a living as a portrait painter in the United Kingdom. The most detail I could find about him during a short Google search is here -- almost nothing there, as you can see. Nevertheless, he painted many portraits, a number of which can be seen here . Note that nearly all are of persons of local or middling national interest. There are no royalty, top-level nobility or senior military leaders shown. Nor are there subjects from the entertainment world. That said, Rivière (of Huguenot descent) was competent in his work and also painted subjects besides portraits on occasion. Despite his competence, as readers of this blog might be aware by now, he had a great number of British competitors who were equally good, and a few who were much better. In the Gallery below, a few portraits are presented, then three other works. The latter pre-date the portraits, so I'll conjecture that he tried other subjects before settling on po
Read more